dulles meow, i miss home.
(Source: furrrocious-forms)
street new york 1 by georgia o’keeffe, 1926.
so, like, in 1925 georgia o’keeffe moved into the top of the manhattan shelton hotel with her husband alfried stieglitz. she witnessed the rapid, unforeseen growth of the urban landscape, and she began to paint it. and this work engaged and reinterpreted stieglitz’s city-noir photography of the 19-teens. o’keeffe asked stieglitz if she could exhibit her new work in his gallery; he instead encouraged her to continue “painting the flowers and landscapes appropriate for her gender.”
still, she completed and sold at least 20 paintings (and i’m trying to hunt down images of them). o’keeffe’s interest in the city prompted stieglitz to return to the subject. she disliked the two of them working on similar material, so she moved on to other projects.
it’s a bumbum that these paintings aren’t better known - and that her urban work met such a premature end. i’d only known her flowers and mountain valleys and it’s nice to see the artist behind those works tackle the gritty city, typically gendered as a male thing championed by old dude architects and engineers.
AYOOOO TUMBLR
this is just to say
that my BA thesis is due in 65 days.
and, right now, i’ve decided to turn this tumblr
into an actual tumblr.
i make good life decisions.
i’m gonna create a /real/ portfolio site separate from this
and i’ll actually start reblogging
and posting stuff that isn’t mine.
essentially, i think i’ll start tumblr-ing on tumblr.
so cool beans, dudes.
i’ll be seeing you often.
portrait of jean tinguely by lothar wolleh, 1970.
exquisitely empty. was the world ever so haunting?
i was here in milan last april on a big game day. the piazza flowed over with the bright blue hues of fc inter milan and schalke. chanting fight songs, shirtless men basked on the beer-soaked stone pavement before the duomo. (can you imagine the smell?)
makes me wish this photo were real life.
joseph roth, what i saw
london city hall and the scoop, sketched january 2011 (it was cold, my ball-point ink was frozen and not quite flowing).
notes are to make a fruit jam with basil and to buy the agile rabbit ‘historical & curious maps’ book published by pepin press.
© kate yc
annie dillard, an american childhood
and so i begin to read the same handful of books i read every summer…
pen and highlighter, 45 minutes on the grass, pisa, italy (june 2011).
© kate yc
more sketches from the past year to come. it’s now roughly a two month countdown till i leave europe. grawr.
pen and colored pencil, shake/co, paris (february 2011).
© kate yc
exactly a month ago, i stayed at shakespeare and company, an english bookshop in paris. here’s a sketch i did of the view from the storefront. this is essentially the same view that one would have from the upstairs studio window that i slept next to for two nights. nostalgic. i’d love to return for a week or two during the upcoming (warmer) months. so far my visits to paris have been cold/wet/barren trees lining the boulevards.
and heres a link to an old post (from my trip last november) of a sketch i did inside shake/co.’s library.
faint surroundings
yet another stream of things/thoughts/links that somewhat connect to one another. i think this has become the default structure for my posts.
i finally watched werner herzog’s 1971 ‘land of silence and darkness,’ a documentation of the deaf-blind experience. the film follows a woman, fini, who lost her hearing and vision in her late teens. she’s aware of all that she can no longer experience /and/ she remains able to communicate (outwardly through speech and she receives input through a touch-based code system tapped and stroked across her palm) - herzog travels with her as she acts as an ambassador, visiting others with her condition.
the movie, hauntingly sad yet hopeful, explores what it is to be human and what it is to perceive. fini describes a constantly undulating roar in her ears and an optical fluctuation of light intensity - i wonder what she made of this feedback received from her surroundings and if she had, over time, formulated some method for comprehension. i also wonder about her perhaps heightened sensitivity to aspects of our environment which i am only vaguely aware of.
which reminds me of jean noël hallé and his 18th century smell-maps of paris. hallé, napoleon bonaparte’s own physician, was concerned with parisian hygiene and hoped that his cartography of stenches (i love that word) would bring about health reform. and it worked - bonaparte introduced to paris its first vaulted sewer network.
hallé’s maps remind of me of this old nytimes feature: scents and the city.
it’s an olfactory map of new york city! and it’s interactive! some highlights: “deep-dust-mineral smell of subway, warm bacon-y wind” (tribeca), “moldy newspapers, dried shrimp, still-breathing fish, tiny dried fish, soap, pickled pavement” (chinatown), “hot bus tires” (theater district), “damp tennis ball, general dog scent, melon mixed with air conditioner, socks” (morningside heights), “strong urine becoming floral, wintergreen, printed cotton” (greenwich village). i appreciate the juxtoposition between north central park (“canada geese, runner’s sweat, mulch, beer, ripe blackberries (untouched), pungent chihuahua”) and south central park (“horses, ice cream, duck dander, glossy magazines, swampy algae”). this makes me miss the US. i’d love to find something of this sort for london. or perhaps i’ll make my own.
and one final thing. immaterials: light painting wifi. i’ve seen this project pop up in the blogs i follow a few times already and it brilliantly plays into this theme of environment and perception (and lack thereof). thus far, i’ve mentioned the tangible aspects of landscape and how these sensory stimuli are received at varying levels depending on person - ‘immaterials’ presents to us the unseen world of wifi (the project literally /maps/ the topography of wifi in multiple places). it’s kind of fascinating. it’s kind of crazy. the “electromagnetic terrain” that envelops us will without question become more extensive and intricate as time and technology progress and maybe one day we will become so reliant on these invisible networks that the non-physical will dictate our behavior to a larger extent than the physical. maybe.
not to mention, as my mother (the source of my luddite tendencies, who once warned me to not sleep next to my cellphone as it radiates god -knows-what-sorts-of waves) insists, all this space-age crap will probably give us cancer.
Immaterials: Light painting WiFi from Timo on Vimeo.
okay, that’s it for now.
p.s. ‘land of silence and darkness’ is available for instant-stream via netflix.
>
rue du cloitre notre dame, paris (2011).
© kate yc
it was like this when
we waltz into this place
a couple of Papish cats
is doing an Aztec two-step
And I says
Dad let’s cut
but then this dame
comes up behind me see
and says
You and me could really exist
Wow I says
Only the next day
she has bad teeth
and really hates
poetry
lawrence ferlinghetti
UFFIZI WHAT UP
museum interiors, now in google streetview!
choose a masterpiece and then let the zoom option bring you ‘closer’ to its brush strokes and details than you could ever be in real life.
i think this is so great and so necessary - i may never make it to some of these museums, that can be said for most others. cool way to virtually feel the flow of gallery spaces and consider the relationship between art and audience. a schweet tool but most definitely not a substitute for a realsies museum trip…it raises questions about the way we experience art and concerns re: the distance that we have put between it and ourselves.
and, before i forget: a similar thing that i encountered about a month ago.
^^ a virtual tour of the sistine chapel (yes, the link brings you to www.vatican.va). the site allows you to move through the empty, high-def building and zoom into its frescoes and architectural elements. i remember being there years ago - it was dark, musty, full with too many tourists. i was little and intimidated and rushed by the crowds and it was an overwhelming experience. i wouldn’t trade that day for this website but, still, this is one of the reasons why - sometimes - i really love the internet.
>a video on adolescent skateboarders in kabul. relative to typical afghani footage from the last few years, it’s rather beautiful and refreshing.
a wonderfully shot and edited short film with a touching story — it also captures kabul daily life and infrastructure in a way i haven’t yet seen in video. this city bears a tremendous physical legacy of bombed-out palaces and empty concrete complexes — structured ghosts of the past that i find stunning. this makes me wonder how the urban future of kabul will unfold - if it’s ruins will be reintegrated and what difference, if any, there will be in slum morphology in, say, a decade’s time. obviously not the biggest concern when it comes to afghanistan, though, as 2010 was apparently the deadliest year thus far for coalition troops…
miss this quite a lot.
pen sketch from the summer of cloud gate by anish kapoor, millenium park, downtown chicago (2010).
© kate yc
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